Popeye the Sailor is a comic strip character, later featured in popular animated cartoons. He was created by Elzie Crisler Segar^[1], and first appeared in the King Features comic strip Thimble Theater on January 17, 1929.

Popeye quickly became the main focus of the strip, which was one of King Features' most popular strips during the 1930s. Thimble Theater, carried on after Segar's death in 1938 by artists such as Bud Sagendorf, was renamed Popeye in the 1970s. Today drawn by Hy Eisman, Popeye continues to appear in first-run strips in Sunday papers (daily Popeye strips are reruns of older strips).

In 1933, Max and Dave Fleischer's Fleischer Studios adapted the Thimble Theater characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. These cartoons proved to be among the most popular of the 1930s, and Popeye at one time rivaled Mickey Mouse for popularity among audiences.

After Paramount assumed control of the Fleischer Studio in 1942, they continued producing the series until 1957. Later Popeye cartoons were produced for television from 1960 to 1962 by King Features, and from 1978 to 1982 and 1987 to 1988 by Hanna-Barbera Productions (now owned by Warner Brothers).

 

Fictional character biography

Popeye is an independent sailor (or "sailor man," as he puts it) with a unique way of speaking, muscular forearms with two (sometimes one) anchors tattooed on them, and an ever-present corncob pipe (which he toots like a steamship's whistle at times). His strange, humorous, and often supernatural adventures take him all over the world, and place him in conflict with enemies such as the Sea Hag and Bluto. Popeye also seems to like singing a song called "Popeye the Sailor Man." His hometown is a fictional town called Seawater.

Many debate the military service in which Popeye served. In Fleischer's Popeye Meets Ali Baba's Forty Thieves, Popeye is found guarding his Coast Guard Station. Popeye even tells Ali Baba to "stop in the name of the Coast Guard." Later, other cartoonists place Popeye in other services, such as the Navy and Merchant marines.

In addition to a gravelly voice and a casual attitude toward grammar, Popeye is known for having an apparent speech impediment (a common character-distinguishing device in early cartoons), which either comes naturally or is caused by the ever-present pipe in his mouth. Among other things, he has problems enunciating a trailing "t". Thus, "fist" becomes "fisk" (as sung in his song) and "infant" becomes "infink".

The plot lines in the animated cartoons tended to be simpler. A villain, usually Bluto makes a move on Popeye's "sweetie", Olive Oyl. The bad guy then clobbers Popeye until Popeye eats spinach, which gives him superhuman strength. Spinach farmers in Crystal City, Texas were so grateful for this they erected a statue of Popeye in the town and credited him for saving the then-dying spinach industry.

Although Popeye is short, odd-looking, belligerent, and has only his left eye (although, if viewers have a keen eye, at times, he needs to rub his eyes to see correctly, and his second eye seems to open) many consider him a precursor to the superheroes who would eventually come to dominate the world of comic books. Some observers of popular culture point out that the fundamental character of Popeye, paralleling that of another 1930s icon, Superman, is very close to the traditional view of how

the U.S. sees itself as a nation: possessing uncompromising moral standards and resorting to force when threatened, or when he "can't stands no more" bad behavior from an antagonist. This theory is directly reinforced in certain cartoons, when Popeye defeats his foe while a US patriotic song such as "The Stars and Stripes Forever", or "Columbia, Gem of the Ocean" plays on the soundtrack. One of Popeye's catchphrases is "I yam what I yam, and that's all I yam," which may be seen as an expression of statesider individualism.

One historian believes Popeye was inspired from Frank "Rocky" Fiegel[1], a man who was handy with his fists during Segar's youth in Chester, Illinois. Fiegel was born on January 27, 1868. He lived as a bachelor his entire life and never got married. It was said that later Segar sent Fiegel checks in the 1930s. Fiegel died on March 24, 1947 at the age of 79.

Such has been Popeye's cultural impact that the medical profession sometimes refers to the biceps bulge symptomatic of a tendon rupture as the "Popeye muscle" [2] [3]. Note however that Popeye has pronounced muscles of the forearm, not of the

 biceps.

Thimble Theater comic strip

Popeye first appeared on January 17, 1929 as a minor character in Segar's newspaper cartoon strip Thimble Theater, which had been running since 1919 with protagonists Olive Oyl, her brother Castor Oyl, and her boyfriend, Harold Hamgravy. The Popeye character became so popular that he was given a larger role. Olive eventually left Hamgravy to become Popeye's girlfriend, although she often displayed a fickle attitude towards the sailor. Castor Oyl continued to come up with get-rich-quick schemes, and enlisted Popeye in the misadventures.

As the illustration shows, the muscular disparity between Popeye's biceps and forearm was not nearly so exaggerated initially.

In 1933, Popeye received a foundling baby in the mail, whom he adopted and named "Swee'Pea". Other regular characters in the strip were J. Wellington Wimpy, a moocher and a hamburger lover who would "gladly pay you Tuesday for a hamburger today" (he was also soft-spoken and cowardly, hence his name); George W. Geezil, a local cobbler who speaks in a heavily affected accent and habitually attempted to murder or wish death upon Wimpy; Poopdeck Pappy, Popeye's belligerent and woman-hating father; and Eugene the Jeep, a yellow, vaguely dog-like animal from Africa with magical powers. In addition, the strip featured the Sea Hag (a terrible pirate, as well as the last witch on earth), and Alice the Goon, a monstrous creature who entered the strip as the Sea Hag's henchman and continued as Swee'pea's baby sitter.

Segar's strip was quite different from the cartoons that followed. The stories were more complex, with many characters who never appeared in the cartoons (King Blozo for example). Spinach-usage was rare and Bluto made only one appearance. Segar would sign some of his early Popeye comic strips with a cigar, due to his last name being a homonym of "cigar".

Artists after Segar

After Segar's death in 1938, many different artists were hired to draw the strip. Tom Sims, the son of a Coosa River channel-boat captain continued writing Thimble Theater strips and established the Popeye the Sailorman spin-off. Doc Winner and Bela Zaboly, successively, handled the artwork. Ralph Stein took over the writing until the series was taken over by Bud Sagendorf in 1958.

Sagendorf wrote and drew the daily strip until 1986 and the Sunday strip until his death in 1994 . Sagendorf, who had been Segar's assistant, made a definite effort to retain much of the classic style, although his art is instantly discernible. Many obscure characters from the Segar years were maintained, especially O.G. Wotasnozzle and King Blozo. Sagendorf's new characters, such as the Thung, had a very Segar-like quality. What set Sagendorf apart from Segar more than anything else was his sense of pacing. Where plotlines moved very quickly with Segar, it would sometimes take an entire week of Sagendorf's daily strips for the plot to be advanced even a small amount.

George Wildman drew Popeye for Charlton Comics from 1969 till the late 1970s. From 1986 to 1992, the daily strip was written and drawn by Bobby London, who after some controversy was fired from the strip for a story that could be taken to satirize abortion [4]. London's strips put Popeye and his friends in updated situations, but kept the spirit of Segar's original. One classic storyline titled, "The Return of Bluto" had the sailor battling every version of the bearded bully from the comic strip, comic books and animated films. Since then the daily strip has been reprints of older Sagendorf strips, and the Sunday strip was taken over by Hy Eisman in 1994. Acknowledging Popeye's growing popularity, the strip was billed as Thimble Theater Starring Popeye during the 1960s and 1970s, and eventually was titled simply Popeye.

Theatrical cartoons

Fleischer Studios

Thimble Theater was adapted into an animated cartoon series originally produced for Paramount Pictures by Fleischer Studios, run by brothers Max Fleischer (producer) and Dave Fleischer (director) in 1933. Popeye made his film debut in Popeye the Sailor, a 1933 Betty Boop cartoon (Betty only makes a brief appearance as she reenacts her hula-hula dance seen in Betty Boop's Bamboo Isle at the local carnival). It was for this short that Sammy Lerner's famous "I'm Popeye the Sailor Man" song was written. I Yam What I Yam became the first entry in the regular Popeye the Sailor series.

As one astute cartoon historian has observed, the song itself was inspired by the first two lines of the "Pirate King" song in Gilbert and Sullivan's operetta, The Pirates of Penzance: "For I am a Pirate King! (Hoorah for the Pirate King!)" The tune behind those two lines is identical to the "Popeye" song except for the high note on the first "King".

The character of Popeye was originally voiced by William "Billy" Costello (Red Pepper Sam). When Costello's behavior became a problem, he was replaced by former in-between animator Jack Mercer, beginning with King of the Mardi Gras in 1935 . Olive Oyl was voiced by a number of actresses, but by far the most notable was Mae Questel, who also voiced Betty Boop. Questel eventually took over the part completely until 1938. Various actors provided the voice of Bluto, including Gus Wickie, William Pennell, Jackson Beck, and Pinto Colvig. Other characters from the strip would appear briefly in the shorts, including Poopdeck Pappy, Eugene the Jeep, George W. Geezil, and the Goons.

Thanks to the series, Popeye became even more of a sensation. During the mid-1930s, polls taken by theater owners proved Popeye more popular than Mickey Mouse. In 1935, Paramount added to Popeye's popularity by sponsoring the "Popeye Club" as part of their Saturday matinee program. Popeye cartoons, including "Let's Sing With Popeye" were a regular part of the weekly meetings. For a 10 cent membership fee, club members were given a Popeye Kazoo, a membership card, the chance to become elected as the Club's "Popeye" or "Olive Oyl" and opportunities to win other valuable gifts.

The Popeye series was noted for its urban feel (the Fleischers operated out of New York City), its manageable variations on its simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters' "under-the-breath" mutterings (which began as ad-libs by Mercer, who muttered so that his additions would not alter the timing of the completed animation). The voices for pre-1940 Fleischer cartoons were recorded after the animation was completed, so the actors, Mercer in particular, would improvise lines that were not on the storyboards or prepared for the lip-sync.

Fleischer Studios produced 108 Popeye cartoons; 105 of them in black and white. The remaining three were two-reel (double-length) Technicolor specials billed as "Popeye Color Features": Popeye the Sailor Meets Sindbad the Sailor, Popeye the Sailor Meets Ali Baba's Forty Thieves, and Aladdin and His Wonderful Lamp.

The Fleischers moved their studio to Miami, Florida in 1938 to weaken union control and take advantage of tax breaks. The Popeye series continued production, although a marked change was seen in the Florida-produced shorts: they were brighter and less detailed in their artwork, with attempts to bring the character animation closer to a Disney style. Mae Questel refused to move to Florida, and Margie Hines, the wife of Jack Mercer, voiced Olive Oyl through the end of 1943.

In 1941, with World War II becoming more of a source of concern in America, Popeye was enlisted into the U.S. Navy, as depicted in the 1941 short "The Mighty Navy". His costume was changed from the black shirt and white neckerchief to an official white Navy suit, and Popeye continued to wear the Navy suit in animated cartoons until the 1960s. Popeye periodically wore his original costume when at home on shore leave, as in the 1942 entry Pip-Eye, Pup-Eye, Poop-Eye, An' Peep-Eye, which introduced his four identical nephews.

Famous Studios

Fleischer Studios was dissolved in January 1942 when Max and Dave were both forced to resign from the company. Paramount purchased the studio and renamed it Famous Studios. Appointing Seymour Kneitel and Isadore Sparber as its heads, production was continued on the shorts. The early Famous-era shorts were often World War II themed, featuring Popeye fighting Nazis and Japanese soldiers.

In late 1943, the Popeye series was moved to all-Technicolor production, beginning with Her Honor the Mare. Paramount moved the studio back to New York at this time, and Mae Questel re-assumed voice duties for Olive Oyl. Jack Mercer was drafted into the Navy during World War II. When he was unavailable to record his dialogue, Mae Questel stood in as the voice of Popeye, in addition to her role as Olive Oyl. Jackson Beck voiced Bluto in the color Famous shorts, which began to adhere even closer to the standard Popeye formula.

Theatrical Popeye cartoons on television

Famous/Paramount continued producing the Popeye series until 1957, with Spooky Swabs being the final of the 125 Famous shorts in the series. Paramount then sold the Popeye film backlist to Associated Artists Productions. AAP was bought out by United Artists and later merged with Metro-Goldwyn-Mayer, which was itself purchased by Turner Entertainment in 1986. Turner sold off the production end of MGM/UA in 1988, but retained the film catalog, giving it the rights to the theatrical Popeye library.

The black-and-white Popeye shorts were shipped to South Korea in 1985, where artists retraced them into color. The process made the shorts more marketable in the modern television era, but prevented the viewers from seeing the original Fleischer pen-and-ink work, as well as the three-dimensional backgrounds created by Fleischer's "Tabletop" process. Turner merged with Time Warner in 1996, and Warner Bros. (through its Turner subsidiary) therefore currently controls the rights to the Popeye shorts. These colorized shorts began airing on WTBS Channel 17 Atlanta in 1986 during their "Tom & Jerry and Friends" 90 minute weekday morning and hour long weekday afternoon shows. They were syndicated colorized in 1988 on a barter basis until the early 1990's.

For many decades, viewers could only see a majority of the classic Popeye cartoons with the altered opening and closing credits (AAP had, for the most part, replaced the original Paramount logos with their own, and thus destroying the impact of their original theatrical presentation). But in 2001, the Cartoon Network, under the supervision of animation archivist Jerry Beck, created a new incarnation of The Popeye Show. The show aired, for the first time since their original theatrical releases, the Fleischer and Famous Studios shorts in their original unaltered form (complete with their original Paramount credits) in both black & white and color (depending on the original production of the shorts). Gone were any scenes bearing the mark of the television syndicator (Associated Artists Productions) with the original footage restored to each film seen on the 45 episode series along with trivia about the characters, voice actors, and animators with Bill Murray as the announcer. 135 Popeye cartoons were restored, and the program aired without interruption until March 2004. The Popeye Show continues to air on Boomerang to this day. It is these restored shorts that are now making their way into revival film houses for occasional festival screenings.

Home video

The Fleischer and Famous Studios films have not had an official VHS or DVD video release. United Artists (under the former MGM/UA management) had planned a VHS and Beta release in 1983 but were informed by King Features Syndicate that they and only they had the legal right to release Popeye cartoons on video. United Artists did not challenge King Features' claim, and a release never happened. While King Features own the rights to the Popeye characters, it has never owned any part of the Fleischer/Famous cartoons. King licensed the rights to Paramount Pictures to use the images of Popeye and his crew in the theatrical cartoons, but did not retain ownership of the films.

A clause in the original contract between Paramount Pictures and King Features stated that after ten years, the prints and negatives of the Popeye cartoons were to be destroyed. King Features had the same clause for all of their licensed properties. There is speculation that the clause contributed to the demise of Fleischer Studios. The clause was never enforced for Popeye.

Still, a handful of Popeye cartoons from the 1930's and early 1940's have fallen into public domain and these are available on numerous low budget DVDs. Since King Features Syndicate had exclusive rights to the 1960-1962 made-for-television Popeye Cartoons, about half of them have been released on DVD as a 75th Edition Popeye boxed set in 2004. Fans consider these inferior to the theatrical episodes, but these were also widely shown on television into the 1980's.

Warner Bros./Turner Entertainment later acquired the cartoons and reached an agreement with Hearst Entertainment and King Features Syndicate. Warner Home Video recently announced it would release the theatrical cartoons from 1933 up to the last theatrical ones in the late 1950's. They also will re-release the made-for-TV Popeye cartoons of the 1960's as well release the ones made from 1978 to 1987 (note no episodes were ever made between 1962 and 1978) on DVD, restored and uncut, presumably sourced 'from the original masters' ^[2], starting in 2007. This is similar in most respects to the Looney Tunes Golden Collection DVD sets also released by Warner, except the Popeye shorts will be released in chronological order.

According to Amazon and TV Shows On DVD, the first Warner Brothers DVD release will be on July 31, 2007. This will feature all the Popeye Cartoons from 1933 to 1938 in their original black and white form and will not be the colorized editions. As stated, further releases are planned later in 2007 and well into 2008.

In the meantime, some Popeye cartoons from the Fleischer Studios era now in the public domain have made their way into several unofficial VHS and DVD cartoon compilations. Among these cartoons are a handful of the Fleischer black and whites, several early-1950s Famous shorts, and all three Popeye Color Specials.

Original television cartoons

In 1960, King Features Syndicate commissioned a new series of Popeye cartoons, but this time for television syndication. Mercer, Questel, and Beck returned for this series, which was produced by a number of companies, including Jack Kinney Studios, Rembrandt Studios, and Paramount Cartoon Studios (formerly Famous Studios). The artwork was streamlined and simplified for the television budgets, and 220 cartoons were produced in only two years, with the first set of them premiering in the autumn of 1960, and the last of those debut during the 1961-1962 television season.

For these cartoons, Bluto's name was changed to "Brutus," as King Features believed at the time that Paramount owned the rights to the name "Bluto." Many of the cartoons made by Paramount used plots and storylines taken directly from the comic strip sequences-as well as characters like King Blozo and the Sea Hag.[5] The 1960s cartoons are the only Popeye cartoons from the classic era to have yet been given an official video release, and have been issued on both VHS and DVD.

On September 9, 1978, The All-New Popeye Hour debuted on the CBS Saturday morning lineup. It was an hour-long animated series produced by Hanna-Barbera Productions, which tried its best to retain the style of the original comic strip (Popeye returned to his original costume and Brutus to his original name of Bluto), while complying with the prevailing content restrictions on violence. The All-New Popeye Hour ran on CBS until September 1981, when it was cut to a half-hour and retitled The Popeye and Olive Show. It was removed from the CBS lineup in September 1983, the year before Jack Mercer's death. These cartoons have also been released on VHS and DVD. During the time these cartoons were in production, CBS aired The Popeye Valentine's Day Special - Sweethearts at Sea on February 14 (Valentine's Day), 1979.

Popeye briefly returned to CBS in 1987 for Popeye and Son, another Hanna-Barbera series which featured Popeye and Olive as a married couple with a son named Popeye Jr., who hates but respects spinach. Maurice LaMarche performed Popeye's voice; Jack Mercer had died in 1984 . The show lasted for one season.

In 2004, Lions Gate Films produced a computer-animated television special, Popeye's Voyage: The Quest for Pappy, which was made to coincide with the 75th anniversary of Popeye. Billy West performed the voice of Popeye; after the first day of recording, his throat was so sore he had to return to his hotel room and drink honey. The uncut version was released on DVD on November 9, 2004; and was aired in a re-edited version on FOX on December 17, 2004 and again on December 30, 2005. Its style was influenced by the 1930s Fleischer cartoons, and featured Swee' Pea, Wimpy, Bluto (who is Popeye's friend in this version), Olive Oyl, Poopdeck Pappy, and The Sea Hag as its characters.

Popeye has made brief parody appearances in modern animated productions, including The SpongeBob SquarePants Movie (2004), and the TV shows Drawn Together, Robot Chicken, The Simpsons (in the episode "Jaws Wired Shut" for instance) and Family Guy. Popeye imitations are a frequent element of comedian Dave Coulier's routines, and were performed often during his co-starring role on the ABC sitcom Full House.

Other media

There have been a number of Popeye comic books, from Dell and other publishers, including a comic book in which Popeye and Olive Oyl marry. In the comics, Popeye became something like a freelance police assistant, fighting mafia and Bluto's criminal activities. The new villains included the Mings dwarves, who were identical.

Radio

Popeye and most of the major supporting cast members were also featured in a thrice-weekly 15-minute radio program named Popeye the Sailor. The Popeye radio program was broadcast over three different networks by two sponsors from 1935 to 1938. The show was broadcast Tuesday, Thursday and Saturday nights at 7:15pm. September 10, 1935 through March 28, 1936 on the NBC Red Network (87 episodes), initially sponsored by Wheatena, a whole-wheat breakfast cereal, which would routinely replace the spinach references. Announcer Kelvin Beech would sing, to composer Sammy Lerner's "Popeye" theme, "Wheatena is his diet / He asks you to try it / With Popeye the sailor man". Wheatena reportedly paid King Features Syndicate $1,200 per week.

The show was then broadcast Mondays, Wednesdays and Fridays at 7:15 – 7:30 p.m. on WABC, and ran from August 31, 1936 to February 26, 1937 (78 episodes). Once again, reference to spinach was conspicuously absent. Now Popeye would sing, "Wheatena's me diet / I ax ya to try it / I'm Popeye the Sailor Man".^{[3] [4]}

The third series was sponsored by the maker of "Popsicle" three nights a week for 15 minutes at 6:15pm on CBS from May 2, 1938 through July 29, 1938. Out of the three series, only 20 of the 204 episodes are still known to exist.

Film

Director Robert Altman used the character in Popeye, a 1980 live-action musical feature film starring Robin Williams as Popeye, Paul Smith as Bluto and Shelley Duvall as Olive Oyl, with songs penned by Harry Nilsson. The script was by Jules Feiffer, a big fan of the original strips. Many of the characters created by Segar appeared in the film, a co-production of Paramount Pictures and Walt Disney Productions. The film was Williams' first. The village the film is based around was built in northern Malta in the village 'Mellieha'. It is still an advertised attraction today, having been opened to the public.

Video and pinball games

Nintendo created a Popeye video game based on the characters in 1982. The game was originally released as an arcade game and was fairly popular. It was later ported to the Commodore 64 home computer as well as various home game consoles (Intellivision, Atari 2600, ColecoVision, NES, and Odyssey²). The goal was to avoid Bluto and the Sea Hag while collecting hearts, musical notes, or the letters in the word "help" (depending on the level). Punching a can of spinach gave Popeye a brief chance to strike back at Bluto. Other characters such as Wimpy and Swee' Pea appeared in the game but did not affect gameplay. Nintendo overcame some resistance from King Features to bring the game to market. The game is playable on the MAME game emulator computer program for PC. A board game based on the video game was released by Parker Brothers.

In 1994, Technos Japan released Popeye : Ijiwaru Majo Seahug no Maki (Volume of the Malicious Witch Seahag) for the Japanese Super Famicom. A side scrolling adventure game that was mixed with a board game, the game never saw US release, but a ROM of the game can be found at various emulation sites. It featured many characters from the Thimble Theater series as well. In the game, Popeye had to recover magical hearts scattered across the level to restore his frozen friends as part of a spell cast upon them by the Sea Hag in order to get revenge on Popeye.

Midway (under the Bally label) released Popeye Saves the Earth, a SuperPin pinball game, in 1994. In 2006, a Game Boy Advance video game called Popeye: Rush for Spinach was released.

Theme song

Popeye’s theme song, titled "I'm Popeye The Sailor Man", composed by Sammy Lerner in 1933 for Fleischer’s first Popeye the Sailor cartoon^[19], has become forever associated with the sailor. As one cartoon historian has observed, the song itself was inspired by the first two lines of the "Pirate King" song in Gilbert and Sullivan's operetta, The Pirates of Penzance: "For I am a Pirate King! (Hoorah for the Pirate King!)" The tune behind those two lines is identical to the "Popeye" song except for the high note on the first "King."

A cover of the song, performed by Face To Face, is included on the 1995 tribute album Saturday Morning: Cartoons' Greatest Hits, produced by Ralph Sall for MCA Records.

Spinach

The reference to spinach comes from the publication of a study which, because of a misprint, attributed to spinach ten times its actual iron content. The error was discovered in the 1930s but not widely publicized until T.J. Hamblin wrote about it in the British Medical Journal in 1981.

The popularity of the character helped boost sales of the leafy vegetable and the spinach-growing community of Crystal City, Texas erected a statue of the character in gratitude. There is another Popeye statue in Segar's hometown, Chester, Illinois. Another statue is in Alma, Arkansas, which claims to be "The Spinach Capital of the World", and is home to Allen Canning which markets Popeye-branded canned spinach. A statue of Popeye is also at Universal Orlando Resort in the Islands of Adventure theme park, which has Popeye-themed rides.

The 1954 Popeye cartoon Greek Mirthology depicts the fictional origin of spinach consumption in Popeye's family. Popeye's Greek ancestor, Hercules, originally sniffed garlic to gain his supernatural powers. When the evil Brutus removes the scent of the garlic using chlorophyll (an obvious incongruity), Hercules ends up getting punched into a spinach field, and, upon eating the leafy green substance, finds it empowers him many times more than garlic.

In the consumption realm, in addition to Allen Canning's Popeye spinach, Popeye Fresh Foods markets bagged, fresh spinach with Popeye characters on the package.

In 2006, when spinach contaminated with E. coli was accidentally sold to the public, many editorial cartoonists lampooned the affair with Popeye featured in their cartoons. [6]

Cultural influence

The strip is also responsible for popularizing, although not inventing, the word 'goon' (meaning a thug or lackey); goons in Popeye's world were large humanoids with indistinctly drawn faces that were particularly known for being used as muscle and slave labor by Popeye's nemesis the Sea Hag. One particular goon, the aforementioned female named Alice, was an occasional recurring character in the animated shorts, but was usually a fairly nice character.

The Popeye Picnic is held every year in Chester, Illinois on the weekend after Labor Day. Popeye fans attend from across the globe, including a visit by a film crew from South Korea in 2004. The one-eyed sailor's hometown pulls out all of the stops to entertain devotees of all ages. [7] .

Marketing, tie-ins, and endorsements

Popeyes Chicken and Biscuits, a fast food restaurant chain, is not named after Popeye the sailor, but rather after the character "Popeye" Doyle from the 1971 film The French Connection, who was in turn named after real police detective Eddie Egan, who was called "Pop eye" because of his keen observational skills. The restaurant chain would later obtain a license for the cartoon characters for use as a promotional tool, causing some confusion as to the source of the name. Recently, Popeye's Chicken and Biscuits has omitted the use of "Popeye the Sailor" in promotions; one reason given by CEO Ken Keymer was that "nobody in their right mind equates fried chicken with a speech-impeded sailor."

In 1991, a special series of short Popeye comic books were included in specially marked boxes of instant Quaker Oatmeal. The plots were similar to those of the films: Popeye loses either Olive Oyl or Swee' Pea to a musclebound antagonist, eats something invigorating, and proceeds to save the day. In this case, however, the invigorating elixir was not his usual spinach, but, rather, one of four flavors of Quaker Oatmeal. (A different flavor was showcased with each mini comic.) The catch phrase, "Can the spinach! I wants me instant Quaker Oatmeal!" apparently failed to catch on with the general public, and the promotional campaign remains little-known.

In 1995, the Popeye comic strip was one of 20 included in the Comic Strip Classics series of commemorative U.S. postage stamps.

From early on, Popeye was heavily merchandised. Everything from soap to razor blades to spinach was available with Popeye's likeness on it. Most of these items are rare and sought-after by collectors, but some merchandise is still being produced; for example Mezco Toys makes classic-style Popeye figures in two sizes, and KellyToys produces plush stuffed Popeye characters.

In 2001, Popeye (along with Bluto, Olive, and twin Wimpys) appeared in a television commercial for Minute Maid Orange Juice. The commercial, produced by Leo Burrnett Co, showed Popeye and Bluto as friends (and neglecting Olive Oyl) due to their having had Minute Maid Orange Juice that morning. The ad agencies intention was to show that even the famous enemies would be in a good mood after their juice but some, including Robert Knight of the Culter and Family Institute, felt the commercial's intent was to portray the pair in a homosexual romantic relationship -- an allegation that Minute Maid denies. Knight was interviewed by Stephen Colbert on Comedy Central's The Daily Show over this issue.

Popeye also produced "candy cigarettes", which were pretty much small sugar sticks with red dye at the end to simulate a flame. They were sold in a small box, similar to a cigarette pack. The company still produces the item - but has since changed the name to "Popeye Candy Sticks" and has ceased putting the red dye at the end.

The original newspaper strips were collected and published in multiple volumes by Fantagraphics. Wimpy's name was borrowed for the Wimpy restaurant chain, one of the first international fast food restaurants featuring hamburgers, which they call "Wimpy Burgers." [8]

Popeye and "bad English"

Singapore once banned "Popeye" from local TV stations during the 1980s because the cartoon series promoted the wrong or distorted usage of English grammar.

Although educators in Singapore saw nothing wrong with the story, it feared that the "bad English" used by Popeye in his dialogues would encourage kids to imitate its uses. Among the kind of bad English that Singaporean educators pointed out from Popeye was the use of "me" instead of "my" to describe his ownership over certain things, like "I'm strong to the finish, cause I eat 'me' spinach".

Singapore is under a strict program to promote the use of English as a second language in its elementary and high schools in its aim for "first world" proficiency of its citizens right after graduation from college.

Reprints

• Popeye the Sailor, Nostalgia Press, 1971, reprints three daily stories from 1936.
• Thimble Theatre, Hyperion Press, 1977, ISBN 0-88355-663-4, reprints daily from September 10, 1928 missing 11 dailies which are included in the Fantagraphics reprints.
• Popeye, the First Fifty Years by Bud Sagendorf, Workman Publishing, 1979 ISBN 0-89480-066-3, the only Popeye reprint in full color.
• The Complete E. C. Segar Popeye, Fantagraphics, 1980s, reprints all Segar Sundays featuring Popeye in 4 volumes, all Segar dailies featuring Popeye in 7 volumes, missing 4 dailies which are included in the Hyperion reprint, November 20 – November 22, 1928 August 22, 1929.
• Popeye. The 60th Anniversary Collection, Hawk Books Limited, 1989, ISBN 0-948248-86-6 featuring reprints a selection of strips and stories from the first newspaper strip in 1929 onwards, along with articles on Popeye in comics, books, collectables, etc.
• Popeye, Fantagraphics, 2006-on, new hardcover reprint series of all Segar Sundays and dailies featuring Popeye, with Sundays in color, in six volumes.

Characters in Popeye comics/cartoons

Thimble Theatre characters

• Olive Oyl
• Castor Oyl (Olive Oyl's brother)
• Cole Oyl (Olive Oyl's father) (also appeared in an episode of Popeye and Son, in a flashback; and in the episode of the series of the 60s, Olive White and the Seven Sweepeas, as the king)
• Nana Oyl (Olive Oyl's mother) - A play on the slang term "Banana Oil" (also appeared in an episode of Popeye and Son, in a flashback)
• Harold Hamgravy (Olive Oyl's original boyfriend)
• Popeye the Sailor
• The Sea Hag
• Sea Hag's Vultures, Specifically Bernard
• J. Wellington Wimpy
• George W. Geezil (the local cobbler who hates Wimpy)
• Rough House (a cook who runs a local restaurant, The Rough House) (also appeared in the series of the 60s)
• Swee'Pea (Popeye's "adopted" baby son in the comics, Olive's cousin in the cartoons)
• King Blozo (also appeared in the series of the 60s)
• Toar
• Goons, Specifically Alice the Goon
• Poopdeck Pappy (Popeye's 99-year-old long-lost father; also a sailor)
• Eugene the Jeep
• Bill Barnacle (a fellow sailor)
• Oscar (in various cameos, also appeared in the series of the 60s and in the The All-New Popeye Hour is mentioned by Olive, and has taken his place as butler in the Valntine Special of this series)
• Bluto
• Dufus
• Granny
• Bernice
• O. G. Watasnozzle (also appeared in the series of the 60s and in an episode of Popeye and Son)

Popeye cartoon characters

• Popeye the Sailor
• Bluto
• Pipeye, Pupeye, Poopeye, Peepeye (Popeye's identical nephews)
• Diesel Oyl (Olive's identical niece, a conceited brat that appears in only 3 shorts: Popeye's Junior Headache, The Mark of Zero -inspired in Zorro- and Popeye the Couch -aside of Swee'pea- in the series of the 60s; although in a segment between-stories of The All-New Popeye Hour appear four Olive's identical nephews, dancing in a diurnal party with the Popeye ones, unknowingly if Diesel is one of the these four)
• Shorty (Popeye's shipmate during he World War II period)
• Poopdeck Pappy, Popeye's father
• Olive Oyl, Popeye's girlfriend
• Swee'Pea
• J. Wellington Wimpy
• Popeye Jr. (Son of Popeye and Olive Oyl, exclusive of the short lived series Popeye and Son)

References and Notes

Wiki Source

Footnotes ^ Segar, Elzie (Crisler) - Encyclopædia Britannica Article ^ Volume One artwork and details ^ 1930s Popeye the Sailor Wheatena audio clip ^ Old-Time Radio Commercials: Selling Stuff During the Golden Age of Radio: "Comic Strip Character Changes Diet for Radio Show", by Danny Goodwin References Grandinetti, Fred M. Popeye: An Illustrated Cultural History. 2nd ed. McFarland, 2004. ISBN 0-7864-1605-X